well i agree about Kruger too, but it's not just her - the entire "high art" edifice presupposes some sort of "low art" (or "popular culture") to be appropriated - an arbitrary distinction, as i've said, that is ultimately only about reinforcing class divisions, just as the "intellectual property" con only exists to extend the territory of the ruling class into our very souls
phoenetically speaking "HEAVY METAL" just sounds so much cooler than "HIP HOP"
Hip hop sounds sounds like a surgery old folks get when they fall getting out of the shower.
I'm thinking if it's a flyer and not a limited edition screen print for sale... it's really not a big deal. At all that there is a swiped illo on this.
in the 80s, there was a similar argument re: free vs. copyrighted beats in hip hop.
Ahh, so thats where i get my opinion on hip hop from. Guitarz-played-by-humanz-4eva-yo!
well, I think most people would agree that those albums didn't plagiarize so much as utilize beats in the same way that most artists would use, say, colors.
but of course colors are free and natural, and someone MADE those beats.
You know - i appreciate the way your presenting your argument but like i said its flawed based on established and accepted approaches hashed out over years on this site, directly stemming from posters like this.
you're not the first person to voice these opinions and this isnt the first poster to instigate them.
Seeing as how you agree with at least something i said i'll retract the 'yo momma' comment i made - it was misinformed and just plain wrong. See how easy it is to admit? your turn now...
i agree with Hynes, too - "the best ones are both." and if the role of art is, as i believe, to challenge the norms & conventions of respectable society, and to thereby push society ahead, then a rock poster must aim to challenge such norms - just as this one has, perhaps inadvertantly, outraged the "ethics" of this online society
if this guy got paid to do this and the check bounced , score one for recontextualisation .
" Great art is horseshit buy tacos "- Bukowski said that too
fuck what my momma tole me... everybody here just wants to follow rules?? rules are for suckers....the more i think about this, the more i like this poster, it's like a big middle finger to all your rules...hooray Refi Andrea!
It's established ethics in this genre of design at this stage - ethics echoed by the community here. Thats how it goes, sorry. You cant really fight it i suppose - surely your mama told you stealing was wrong?
I like that i guy called Baloney Boy is setting up these statements - BALONEY to you my friend. its also slightly funny that Frank spelled retarded wrong not on purpose
It's established ethics in this genre of design at this stage - ethics echoed by the community here. Thats how it goes, sorry. You cant really fight it i suppose - surely your mama told you stealing was wrong?
I like that i guy called Baloney Boy is setting up these statements - BALONEY to you my friend. its also slightly funny that Frank spelled retarded wrong not on purpose
i didn't make this! i'm just talkin shit. but this need to find meaningful nuance between "appropriation," "borrowing," and "stealing" is what is a load of shite! it's all the same thing, and if you accept one, then you must accept the other, "recontextualisation" be damned! why the hang-ups? why the need to justify your appropriations, or to damn those who haven't done enough, in your eye, to recontextualise? we are artist, not lawyers!! absolute freedom is the only value that has any meaning within artistic endeavor, all else is bourgeois tomfoolery!
By stealing from clowes you are essentially ripping off someone working within a) the same period, b) a similar 'underground' niche (comics/posters etc), c) someone with the ability to create images with the 'vibe' you are obviously seeking.
there is no recontextualisation, no ironic statement attributed to the usage, no apparent reasoning for its usage in connection to this particular band apart from a full-of-holes generic artist defense taken out of context from past masters working in a n entirely different field.
If you were rcontextualising dennis the menace say, your argument might hold a little water - as is, its a misinformed pile of shite, You DO know better.
authorship is an outdated 20th Century concept. you really don't understand that? i'd never do anything like this flyer myself, but i defend other artists' right to do so, because i believe that "intellectual property" is a fraud & a crime
Yeah – that quote isn’t about scanning and re-printing other peoples art and signing your name to it. You really don’t understand that?
Morally I couldn’t care less if you plagiarize all your work - justify it any way you’d like - it doesn’t effect me at all. I do think it negatively effects your work though - because it forces folks to question all your work’s authorship, even when it is yours.
how do you know what he was talking about? and what's the difference, anyway, between an idea and an image? in modernism, the pictorial form IS the subject matter - the image IS the idea. i think he meant that quite literally, and his best work verifies it
The only reason you need an opinion or a justification for anything you do is if you need to talk about it. So if you don't talk about it, you don't need to think about it. EASY PEASEY.
Dave is greater then Picasso , he created an instantly reconizable style with in two posters. I stole that idea from Pogue but threw in the Picasso reference to up lift it to High Art talk. pogue won't do shit about it cause he's throwing Milkshakes at Danial Danger
I have owned and enjoyed Las Vegas Grind for many years. Clowes worked hard to establish a recognizable and appealing style, and it BELONGS TO HIM.
The poster sucks cock.
Using a cartoon drawing by somebody else as a design element in your composition is something totally different yet again. I have learned very well over the years that it is all in how you want to argue it. It's all justifiable to some degree. Mostly depending on who stole the image or who created the stolen image in the first place.
If you based a new drawing on the original drawing your Picasso argument holds water. Turning a cartoon illustration by someone else into a cartoon illustration by you isn't recontextualization - it's lazy.
I'm not even sure what to think anymore. I'm all for changing the context of an image, and seeing "old school" punk flyers/posters that take stuff from everywhere. Both of those seem to have varying levels of creativity involved. It depends on the end result.
What I'll never budge on is someone using another person's work in a "wholesale" fashion, and passing it off as their own, especially if they're making bank off of it.
Artists - free yourselves of these bourgeois values of "originality" and "property"! Free yourselves of guilt! An image can no more be "owned" than the air!
i appreciate you trying to explain wharol, but you kinda missed his point.. and i dont feel like typing in what it was.. do some seaches on the interweb.
the point is, why make these needless distinctions between "lowbrow" & "highbrow" when they're ultimately arbitrary, and useful only for creating value in the "high art" world? Warhol's genius was that he acknowledged just how cynical the art world was in this kind of manipulation while at the same time milking it for every penny
if you dont make the image, you are stealing.. so what if its obscure from some pulp mag that noone will know about.. its stealing.
so unless its public domain.. its a lift.
Maybe not. But, how about this.. I go to Hot Topic, take a pic of one of your kickass metal shirt designs and then use it as a poster and post it here. Aside from the beatdown that would ensue, what's the difference?
True, but it's still low brow. Maybe it's more about the heightening of status or recontextualizing the piece vis a vis Irony or socio/political commentary, hence lifting it out of it's common or low-brow context?
yes, the contextual shift - from comics to gallery, "low" art to "high" - was the sleight of hand that created value. gosh, Roy, thanks for deigning to show us (and upper class art consumers, in particular) that comic art could be beautiful!
The problem with the below arguement is that the Artists cited (particularly Lichtenstein & Warhol) changed the CONTEXT of found imagery - to expose the beauty found in the mundane.
This is just lazy.
the only difference between "appropriating" and "stealing" is that the "appropriated" idea is pilfered from "low art" sources - tribal art in Picasso's case, comics in Lichtenstein's - and transferred into the rarefied world of "high art" - museums, galleries. an arbitrary distinction used to justify the creation of value
art critics might call it "appropriating," i guess, but a great deal of Picasso's (and Modigliani's) innovations were based on African (or Iberian) tribal masks - artwork that was considered "primitive," unauthored in the Western sense, and outside of the realm of "high art" and the protection of "intellectual property"
and way to TOTALLY miss the point of what warhol and litchenstien were doing.
if you are gonna use the fine art wold to base your arguments on , at least have some knowledge of it.
your argument against "theft' is a purely pragmatic one - a Machiavellian one, i guess. i can appreciate that. but it seems some people have some kind of moral qualm against it - and decrying the WRONGNESS of theft implies the RIGHTNESS of property. in this case, "intellectual property," which i've always felt was a bullshit concept, and one damaging to creativity.
eh....it's a line from "Wise Blood" i've been wanting to use, sorry. i guess it's an all-american way of saying, "the end justifies the means" or something
stealing may be all-american (for instance: all yuppies steal. it's a fact.) however, stealing something so famous and obvious that you will get caught the first time anybody looks at it is UN-american. getting CAUGHT stealing is downright communism. and it's pretty stupid.
i know about this.
dude, what were you thinking? uploading a poster that prominently features the las vegas grind cover by daniel clowes. unless you are daniel clowes, I'd say, that was not the smartest move.
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